Hello,

I hope that the equinox was noted by folks this week. I sure am seeing evidence of the shorter day light. For a  few days every year  the sun lines up directly with my east facing door to the studio.  Those days  are now past and the sun is rising and setting at  about 7.
This week the Textile Artist Stitch Club teacher Carissa Caiksen, suggested and then showed us how to add found objects to the surface of our stuff shapes. I added some rusted washers and nuts that I had collected.

I added stitches to the surface of the shapes   as she suggested as well.

This was a fun challenge I think.

 

 

 

 

 

The Pixies had there third online meeting this week. We are getting better and better at working through the connections. There are two challenges this time. One was to do a group drawing that we can connect together into one image. I did my hand and I have sent it off to be married with the others. Can’t wait to see how this project goes. The second was more explorations with Crows. I did this little 12″ X 12″ piece this time. The crows are drawn in crayon on interfacing that I got two years ago in Mexico when I was visiting Susan. The wax in the crayons does make the crows shinny and it also makes it a bit difficult to free motion stitch over.
I did Dye with Liz again this week.

Progress Report: Green on Green This work s 32.5″ X 47.5″. It is all stitch in the ditch quilting. This work will also go to the nursing home for folks confined to wheel chairs.

 

 

This project has lots of hand dyed and hand manipulated fabrics too.

 

 

 

 

 

 

 

 

 

Turtle Dancer I am doing the outline and applique stitching on this work now. I can see the end of that process and I will move onto the quilting. I drew a new subject this week as well.

 

 

Sweet Peas I started this work when I was in Mexico   visiting with Susan. It finally made it to the top of the pile so I free motion quilted it this week. I will add facings and finish it.

 

 

 

 

New Work I spent and afternoon making silk paper this week. My main goal was to make material for the fire project that is on my mind. I also made these clouds to use in my next crow pieces as well. Yesterday I cut stencils of 8 crow forms to use with the clouds.

 

 

 

 

 

Squares a Dancing The collection of squares grew by seven more this week. I now have 175 and I am working on the next batch.

 

 

New Top   I pulled out these fabrics and I am considering using them together for my next top.  I always like to have something in the background waiting my attention

 

 

 

 

 

Childhood Memories: Farm Yard continued
A little ways from the sheep shed on the southwest side of the barn yard was the Machine Shed. It was a corrugated metal shed that was open on the north side. The tractor- “Big Red”, the disk, the cultivator, the seeder, the mower, the plow, several hay wagons and various other big tools and wagons lived in that space. On the back wall were the old harness sets. Grandfather loved horses and I do remember the last team. They were both white and called Sugar and Salt. Dad use to tell stories about how he and Grandpa would go to the Chicago Stock yards and get wild horses that were brought in from the western plains by train. Grandfather had a good eye for selecting two horses that were similar in size and color to make good looking teams. They would then purchase the horses and bring them back to the farm. It was Dad’s job to break them to ride, harness and pull the farm machinery. When he was growing up there were always four teams on the farm. One older and more experienced team, two in training and a third that was “ green”. Grandfather would sell the oldest team when he was ready to go again to Chicago and get a new team. Horses usually live twenty to thirty years, so it was a good system to make additional money.
There was a narrow lane that lead to a field between the machine shed and the hog house, the next building on the south side of the farm yard. The hog house was a long one story red building with windows and a cement floor. As kids we did not go in there much as hog are unpredictable and dangerous however, I do recall one visit just after piglets were born. They were cute and squealed a lot.  At the eastern end of the hog house was a red stock loading ramp. Using fences and gates, Grandpa could load all his animals into trucks with that ramp. East and north of the hog house was the mud lot. This area connected four barns, was in constant use and was always muddy. The windmill with a connecting stock tank to hold the water that the wind driven pump brought up form the well, was next to the gate on the west side. It was the main gate from the farm yard and it was metal and always closed unless in use. There was a cement pad there that extended along the big barn to help machinery make the transition from the dry are to the muddy lot. In the south east corner of the mud lot was the big gray barn. Dad told me that was were they used to house the horses in the lower level.  I only remember the barn being used to store hay. The loft was a great place to play in the mornings, but often became too hot in the afternoons. The cats liked to have their kittens there and on occasion we found them.  In the center of the mud lot was the corn crib. Having it here meant it was easy to shovel out the corn for the animals. There was also a metal silo behind the crib.  At the back of the mud lot was a gate that went to the big meadow pasture with the creek. On the south west corner of the mud lot was the big red main barn. It had big sliding doors on the west and east sides so you could drive through it. In the front and to the left was the corn cob elevator. That piece of machinery also was used to raise bales of hay to the lofts. It was on wheels and could easily be moved. In the back of the barn, on both sides of the pull through, were “ tight rooms”. One was used for oats and the other for shelled corn. Gene and I loved to enter and climb to the tops of the grain piles and slide down.

Keep Creating  and stay safe

Carol